AUTOSCOPIA

Danielle Hipkins

autoscopia: Danielle_HipkinsDr Danielle Hipkins. Associate Professor of Italian Studies and Film. Email: Extension: 4230. Telephone: 01392 724230. Using our site | Freedom of Information . Publications. Books. Contemporary Italian Women Writers and Traces of the  . The aim of my current research is to ask how we can apply and develop . Visiting Professor from the University of Exeter, UK, where she teaches Italian and Film Studies. At LMU this semester, will be teaching courses on Italian . Sep 12, 2014 . University of Exeter, Italian Department, Faculty Member. Studies Gender Studies , Film Studies, and Italian Studies. May 7, 2014 . Danielle Hipkins is Senior Lecturer in Italian at the University of Exeter. She has published on postwar Italian women's writing, cinema and . In her current research Danielle Hipkins asks how we can apply and develop feminist film theory in relation to the study of Italian cinema. More specifically, her  . Contents: Danielle Hipkins: The Child in Italian Cinema: An Introduction – Mary P . Wood: The Uses of Children – Lesley Caldwell: Ragazzo. Fortunato? Children .

Mar 12, 2014 . Keynote Lecture discussed– Danielle Hipkins, Post girl power? Prostitution and Politics in Contemporary Cinemaby Serena Bassi (University of . with Danielle Hipkins, 'Le traviate: Suffering heroines and the state of Italy between the 19th and 21st centuries' in Representations of Prostitution, Sex Work and . Francesca's salvation or damnation?: Resisting recognition of the prostitute in. Roberto Rossellini's Paisà (1946). Danielle Hipkins University of Exeter. Abstract. Nick Bennett · Sara Bennett · Rick Bennett · Danielle Hipkins · Elijah Bennett · Chris Bennett · Danielle Henrys. Contact Information. No contact info to show . Monica Farnetti, Translated by Danielle Hipkins Part II: Nineteenth-Century Experimentations The Eye that Kills: Notes on a Fantastic Theme Vittorio Roda . Danielle Hipkins, University of Exeter/Loyola Marymount. 'From Sultans to Kept Men: Prostitution as a 'queering' mechanism in postwar Italian cinema' . Danielle Hipkins. Keywords: Keywords GENDER STUDIES; ITALIAN FEMINISM; 1950S MELODRAMA. DOI: http://dx. doi. org/10. 1179/007516308X344360. Apr 3, 2012 . Danielle Hipkins on April 11, 2012 at 7:57 pm said: Hello Listeners and Dave,. The first I heard was the Hooverphonic song Waves. I was super .

Nov 2, 2011 . Daniela Treveri-Gennari, Oxford Brookes University. Catherine O'Rawe, University of Bristol. Danielle Hipkins, University of Exeter. Abstract. Led by Daniela Treveri Gennari (Oxford Brookes University), Catherine O'Rawe ( University of Bristol) and Danielle Hipkins (Univeristy of Exeter). Funded by the . Famous people: Chris topher John "Chris" Hipkins Writers: Rosemary Hipkins, Danielle Hipkins, M. F. Hipkins, Alfred J. Hipkins, S. J. Hipkins . Dec 19, 2014. Cinema 100, Cultural Studies 101, Dana Renga 102, Danielle Hipkins 103, David Bordwell 104, Feminism 105, Gender 106, History film 107 . Lalitha Gopalan, Georgetown University. Danielle Hipkins, University of Exeter. Rachael Hutchinson, Colgate University. Lina Khatib, Royal Holloway College. Dec 18, 2010 . Danielle Hipkins (Exeter): Il fenomeno Moccia: Language and the Representation of Youth on. Screen. 3. 40 – 4. 00. COFFEE. 4. 00 – 4. 40. War-torn Tales: Literature, Film and Gender in the Aftermath of World War II. Edited by Danielle Hipkins and Gill Plain. ISBN: 978-3-03910-552-6. Price: € 41. 10 . auditions, talent and taste in contemporary Italian cinema' a talk by Dr Danielle Hipkins of Exeter University. Danielle's research focuses on women and film, and  .

. voglio morire": Prostitution and Narrative Disruption in Viscontiآ's Rocco e i suoi fratelli - Danielle Hipkins * Womenآ's Associations in Postwar Italy, 1946-1960 . and Similarities in Smart Phone Films. Early Cinema Going: Geographies and Gender – Indonesia. Chair: Danielle Hipkins. » University of Exeter. Dafna Ruppin. Danielle Hipkins Stefania Lucamante Millicent Marcus Susanna Nicchiarelli Maria Maglietta Aine O'Healy Catherine O'Rawe Andrea Righi Sergio RigolettoThe project, a collaboration between three academic experts in post-war Italian cinema, Daniela Treveri Gennari, Danielle Hipkins and Catherine O'Rawe, will . Dec 10, 2013 . Dr Danielle Hipkins (University of Exeter) Girlpower? Prostituion and Politics in Contemporary Italian Cinema, 4 Nov 2013. Lise Dilling-Hansen . Nov 7, 2014 . Academic Advisors: Charles Burdett, Selena Daly, Danielle Hipkins, Gigliola Sulis Producer/Director/Editor: Simon Hipkins A Key Pictures . Masculinity, Star Studies and Postfeminism in Italian Cinema', and I shared a panel with friends and colleagues Danielle Hipkins ('Nessuno mi può giudicare?May 28, 2013 . Danielle Hipkins, Making Girl Rage Legible: Revisiting the prefeminist in postfeminist filmmaking. Kate Taylor, Girlhood in Japanese Imperial .

Danielle Hipkins. Broker's Assistant at Berz, White & Cooper. William King. Process/Project Consultant, Risk Operation Management, Operation Services, . "Los Olvidados/The Young and the Damned (1950). " In Re-envisioning the child in Italian cinema, ed. Danielle Hipkins, Roger Pitt, Oxford: Peter Lang, 2013. Oct 15, 2011 . 11. 45 - 12. 15: (University) Danielle Hipkins; “Italian at Uni”. Exploring ways of how to set up links with teachers of Italian in. Secondary Schools . . Ombretta Frau, Sciltian Gastaldi, Cosetta Gaudenzi, Olivia Guaraldo, Juliet Guzzetta, Danielle Hipkins, Keala Jewell, Angela McRobbie, Nicoletta Marini- Maio, . debates and Danielle Hipkins‟s account of Visconti‟s Rocco e i suoi fratelli. Domesticity is central in critiques of the domestic imperative for postwar women, in. Jan 19, 2010 . Please send abstracts of 500 words to the organizers Danielle Hipkins and Kate Taylor at prostitutionconference@hotmail. com by February . It's an observation confirmed in a talk by another friend and colleague Danielle Hipkins (Exeter). Danielle is discussing recent films like Romanzo criminale . Narrative', Bulletin of the Society for Italian Studies, 30 (1997), 4-11 (p. 6). My thanks are due to Danielle Hipkins for a useful exchange of views on this question. .